Riding comfortably in a limousine, a group of art-world sophisticates dispatched from New York abruptly interrupts their bantering to marvel at a tired rowhouse in one of Baltimore's less desirable neighborhoods. "It's almost sexual!" gasps a turtlenecked member of the entourage, flabbergasted by the sight of the simple rectangular housing unit, the city's historical counterpart to New York's Lower East Side tenement. One man's trash, as they say, is another man's treasure, and "Baltimore"both the concept and the placeis the latest discovery of New York art society.
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